Recorded the vocal for this about 2012, when Fiona was 6 or 7. It’s taken all these years to learn enough about music and have the equipment to put it to music.
I was astonished to discover that other than a few flat notes, she’s singing perfectly in the key of F. This is worth investigating. I wasn’t aware a small child could, a capella, sing exactly in key. (I adjusted the final note because she was precisely two semitones flat; I suspect that was voice control, not pitch awareness. Also she was 6.)
Maybe children are more musical than I’m aware. Maybe I have an overdeveloped proud father muscle. Maybe I just love my little girl and music and when they come together, why wouldn’t it be perfect?
Fiona ER Canfield
If the stars could talk
What would they say?
Would they say those words to you?
If the wind could tell secrets
Would it share them with you?
Would you protect them with all of your strength?
If the sun could make you smile
Would its smiles be for you?
Would your eyes have protection from the rays?
If the moon could give you dreams
Would they be happy?
Would the dreams be for you?
Good night for now
And when we wake up
We’ll have dreams of the things that I said
And when we meet again we’ll discover
That the dreams have come true
The group of mad songwriters I’m hanging with this month have a thread with 100+ posts about imposter syndrome.
Every artist who’s ever created something they feel strongly about has also felt like a fraud. Who am I to pretend to be an author? Who am I to pretend my songs are worth your trouble to spend 3 minutes listening?
John Lennon anguished about his lyrics. Stephen King is, to this day, ashamed of his subject matter, still smarting from a teacher’s disdain for the junk he wrote.
I have reached a point where I’m confident about my song lyrics, and getting there about my books. Every smart writer I trust has said they learn to ignore feedback except from very specific people in very specific ways. Not the 1-star haters on Amazon. Not their Best Beloved (though mine is my first audience, but her one and only job is to smile and pat me on the head; we both know her job doesn’t involve anything like honest criticism, that comes later.)
I don’t believe in the anguished lamenting artist who must bleed and die to create. We choose to do this. On some level we’re driven to it; I don’t think I’d be happy if I stopped writing novels. But no one makes me do it, and a lot of folks never feel the joy of publishing a book or performing a song they wrote. I get to make art, and I’m happy about it. It takes work, though, to focus on the positives when Imposter Syndrome and Resistance strike.
Next time you see someone doing something creative, whether it’s performing in public or just sketching a doodle in the park, thank them for daring. They can always use the boost.
Our little one visits her sister in Tucson every month. She usually stays 3 nights. They have a studio so while the little one and her sister are up all night singing and laughing and making videos, the good husband is trying to sleep so he can go to work in the morning. We’re all (especially him) hoping they can move to a bigger place soon.
It’s 3 hours down, drop her off midday, then 3 hours back. Two full days at home, then do it all over again, pick her up late afternoon, arrive home wiped out after dark.
Two more songs, making it 4 for 4. Four for four. Fore! These two were happy.
The next one will be pensive. Many lines will begin “I remember . . . ”
I never know which list songs will end up on: lost and forgotten, performed once and abandoned, or regular rotation crowd faves. Some songs I thought were great when I wrote them don’t interest me much anymore, and some I thought were throwaways get played all the time because people love them.
This is the planting time. Harvest will happen later, and as always, will surprise me.
Tomorrow begins a month-long exercise in artistic immersion.
I’ve been participating in February Album Writing Month (FAWM) since 2006, making this my 13th year. (I missed the first year it went public, but I’m still one of the Old Folks in the forums.) Nearly every song I’ve ever written has been born in February. For a while I wrote throughout the year, partly because I couldn’t afford to shut down all my other activities during February.
It wasn’t the same, though. Writing three songs in a week isn’t the same depth of immersion as writing 14 (or 30, like last year) in 28 days. Now that my schedule allows it (thanks to Best Beloved who loves my art) I’m back to diving in unrestrained.
Except tomorrow, when we’ll be taking the Little One to Tucson to spend a few days with her sister. But I’ll bet I can write a song on the drive. Maybe she’ll even play the ukulele while I record it.
That’s not 15 minutes long, it’s 15 minutes to write.
Last Saturday we played some of my songs for a bunch of friends in our living room. During the show, folks scribbled notes on slips of paper and dropped them in one of 6 hats:
At the end of the evening, I drew a random sample of suggestions from all 6 and wrote a song. In 15 minutes.
The suggestions were
a cowboy who doesn’t like horses or cows
I chose 2 people which is why there are 7 on the list.
It pretty much wrote itself. The video below (lightly edited for bonehead mistakes) was shot 15 minutes after I drew the suggestions. I’m switching a lyric to specifically mention Costa Rica, but even though “dark ages” would fit where I used “medieval” it just doesn’t flow, so that stays.
I wonder why I didn’t post these before?
what do you do when you’re in the wrong place
in the wrong place in the wrong time?
thinking like that can ruin your breakfast
looking for reason and rhyme
roping and riding and drivin’ ’em in
is driving me out of my mind
so I’m moving on
next week I’ll be gone
the week after that I’ll fine
my sister just doesn’t get it
she doesn’t have to, she knows I’m okay
her Harley will get me to LAX
I’m flying south today
I’m off on a plane to the tropics
heading south as fast as I can
get away from those horses and smelly old cows
in Costa Rica I could work on my tan
no more bacon and eggs in the morning
Aunt Jemima’s got nothing on me
that medieval torture of saddle tramp days
is washing away in the sea
Every February since 2006 I’ve participated in February Album Writing Month. (I joined up during FAWM’s 3rd year.) While I do sometimes write songs during other months, the bulk of my nearly 200 songs have been written during these episodes of shared mania.
Hundreds of participants commit to writing a full album, 14 songs, of new material during the 28 days of the month. Sort of a NaNoWriMo for songwriters, though with less emphasis on embracing low quality; it’s more like accepting it without actively chasing it.
Some of my very favorite music has been written by my fellow FAWMers during this month of madness. Here are four examples:
After more than a decade writing music, I’m slowly putting all my demos online. There are more than 2 dozen already live at http://tunehenge.com (that’s out of 30 I wrote in February of this year, 2017.)
Eventually I plan to have all the demos worth listening to at tunehenge. Some of my demos are purely experimental or for my own fun. Trust me, you’re missing nothing. There are still more than 100 songs I’ve written and recorded rough demos for that’ll end up at tunehenge.