A style so strong your name becomes an adjective: Chandleresque.
It means, clearly, “like Chandler.”
What that means is, perhaps, less obvious, unless we go with “I know it when I see it” which is, for a writer, ultimately, unsatisfying.
Because I call my mysteries Chandleresque I feel obligated to define my terms. Others have done so more completely, probably more correctly; others of greater literary stature than I.
Tough. I’m the only one here right now, so I get to make the calls.
Continue reading “Chandleresque”
I have loads of opinions about they physicality of books: the weight, the smell, the way they look on a shelf, the physical design.
One issue with the last is the sheer ugliness of large print books.
I’m slowly collecting hardcover versions of Chandler. I only have 4 of his 8 books in hardcover. The others are either paperback (The Little Sister) or in an omnibus with, sadly, missing pages (The High Window, The Lady in the Lake, and Farewell, My Lovely.)
Continue reading “Books as Physical Objects: Large Print”