February Album Writing Month Rides Again

Tomorrow begins a month-long exercise in artistic immersion.

I’ve been participating in February Album Writing Month (FAWM) since 2006, making this my 13th year. (I missed the first year it went public, but I’m still one of the Old Folks in the forums.) Nearly every song I’ve ever written has been born in February. For a while I wrote throughout the year, partly because I couldn’t afford to shut down all my other activities during February.

It wasn’t the same, though. Writing three songs in a week isn’t the same depth of immersion as writing 14 (or 30, like last year) in 28 days. Now that my schedule allows it (thanks to Best Beloved who loves my art) I’m back to diving in unrestrained.

Except tomorrow, when we’ll be taking the Little One to Tucson to spend a few days with her sister. But I’ll bet I can write a song on the drive. Maybe she’ll even play the ukulele while I record it.


February Album Writing Month #13

Every February since 2006 I’ve participated in February Album Writing Month. (I joined up during FAWM’s 3rd year.) While I do sometimes write songs during other months, the bulk of my nearly 200 songs have been written during these episodes of shared mania.

Hundreds of participants commit to writing a full album, 14 songs, of new material during the 28 days of the month. Sort of a NaNoWriMo for songwriters, though with less emphasis on embracing low quality; it’s more like accepting it without actively chasing it.

Some of my very favorite music has been written by my fellow FAWMers during this month of madness. Here are four examples:

Fiji (Matt DiVito) Quickly (Resonance)
Dear Noreen (Phil Henry) Pig of Lovliness (oddbod)

Whether or not the styles are your cup of tea, the songwriting is as good as most of what you hear on the radio or elsewhere. Better, I think.

I’m still working on making better recordings, which these chaps have mastered. But I’m proud of my lyrics, confident in my songwriting.

And ready for February.